Though it lacks the fancy touches of other RPGs like a day-night cycle and dynamic NPC behavior, the larger environments do have a real sense of life. Ever wonder where Golems are made, or where the assassin's guild hangs out between jobs? That's in the game. It has naturalistic touches like workshops, markets, and such. Little details like benches, gardens, and crumbling statues litter it, people wander back and forth, and have small conversations. The world itself is lovingly designed, though, one of the real plusses of the game as a whole. There's fun in the game, and a bit of humor, but like the tactical battles it's outweighed by the boring bits. The realistic art style is detailed, but it ends up looking like top-end graphics from 2012 when a bit of stylization would have gone a long way-something those who loved the comical, fantasy and fairy tale style of the older King's Bounty games are going to sorely miss.
In fact, the game as a whole doesn't really have much personality. I don't speak Russian: it was just nice to stop the flood of hammy performances. I switched the game to Russian after ten hours, which improved the experience considerably. That's not even to mention the writing, which is awful, and the voice acting, which is worse. That wouldn't be a problem if the characters were more interesting: Katharine the mage, for example, is kind of a jerk, where Elise the Paladin is naive to the point of frustration, and Aivar the warrior just kind of doesn't have a personality at all. Your dialogue is fixed, in fact, so sometimes your character will say things you don't really like. John is officially back now.Not that the roleplaying is really a highlight-dialogues don't branch, but rather choices are made by picking one of two options during the course of a quest. I will be of service," John says before cutting off his ring finger - with his wedding ring on it - and offering it as tribute to the Elder. After he does, John agrees to be back in service to the High Table for the rest of his days, no exceptions. Sofia drives John out to the desert where he's supposed to walk until he can't walk anymore and wait for the Elder to find him. A new line is drawn that John Wick totally gets - and John and Sofia both fight dozens of Berrada's henchmen before defeating them all.
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Sofia and her two German shepherds finally agree to help, which involves going to Sofia's old boss Berrada (Jerome Flynn) who tells them how to find the Elder, then demands Sofia give him one of her beloved dogs for the information. But John helped Sofia get her daughter into hiding years before, and she'd made a blood oath to him. In Casablanca, John meets with Sofia, the manager of Morocco's Continental Hotel, who doesn't look happy to see him or his marker. The institute, and Ruska Roma, are no longer home or allies. In the process, the Director brands over John's back tattoo.
The Director decides to help him, securing him passage to Casablanca where he will try to connect with the only person above the High Table who can save his life, the Elder (Saïd Taghmaoui). John defeats everyone and stumbles his way back to where he started in New York as a child, the Director's performing arts institute. John manages to make it to a friendly face, the Doctor (Randall Duk Kim) who begins stitching up his wounds, but he isn't able to finish before more bounty hunters attack him in a museum of ancient weapons. While there, a giant assassin (Boban Marjanovic) tries to kill him before the hourlong grace period is up, but fails when John murders him with a library book. Badly injured and running out of time, John goes to the New York Public Library where he has stashed away a photograph of his wife Helen, as well as a rosary and more markers inside a hollowed-out book of Russian folktales.
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